Through copying, duplicating, preserving, commemorating and reorganizing, Lilach creates in the exhibition a kind of personal archive of the urban space, a "written" space of those remains that were granted eternal life in material considered noble. When she collects the remnants of urban nature and preserves them through processes of casting and immersion in porcelain, she marks the section of streets in her neighborhood as her own space; preserves it and reorganizes it in the exhibition as a newly invented space based on the products of the urban space in which she conducts herself on a daily basis. Appropriating the urban space and its products to herself turns it into her own space, the fruit of her imagination fully owned by her. At the same time, she calls passers-by to pay attention to these duplicated remains, to see their beauty and charm and to examine how their reorganization in different forms in the gallery space creates a magic between reality and fiction.