Using two technologies of ceramic processing - both building plaster molds and pouring liquid porcelain into the contents and immersing the objects in a porcelain mixture known as Paper clay - the porcelain, which carries within it an ancient memory from the earth's crust, perpetuates the remains of urban nature that Lilach collects on her way through her neighborhood. In other words, nature of one kind preserves nature of another kind. At the same time, through Lilach's manipulation of the remnants of urban nature, she creates objects that blur the boundaries between the natural and man-made and constitute a type of new bread that cannot exist in the natural world. In this way, she creates an archive of never-ending leftovers, which she "freezes", preserves and embalms - and at the same time reorganizes them in different compositions.